FOTO: guccibeauty/instagram El nuevo concepto no pretende géneros, ni razas, ni edades. Tiene en cuenta el contexto histórico a través de la pintura  

El director creativo de Gucci, Alessandro Michele, creó para su nuevo lanzamiento una cuenta de instagram dedicada a la línea de belleza de la firma italina.

 

 

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Title: Portrait of a Woman, c. 1600
Author: British Painter Museum: Metropolitan Museum of Art, New York ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Though the identity of this woman and that of the artist who painted her are lost to history, we can infer her royal status through her luxuriant dress and jewelry. Her richly embroidered sleeves and enormous lace collar were typical of the highly rarified Elizabethan court, complete with a pearl-studded veil that enthroned her hair and shoulders. This portrait, now housed at the @metmuseum, was once definitively thought to be that of Queen Elizabeth, though historians today are less sure. Regardless, the anonymous British painter who captured her likeness did so with a striking attention to detail and level of interest in her fashion. #GucciBeauty #TheMet — @tatianaberg
Gift of J. Pierpont Morgan, 1911

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El nuevo concepto no pretende géneros, ni razas, ni edades. Tiene en cuenta el contexto histórico a través de la pintura.

 

 

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Title: Portrait of Maria de’ Medici Author: Agnolo Bronzino Museum: Uffizi Gallery, Florence ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Maria de’ Medici, depicted in this 16th-century Mannerist portrait, was a member of Italy’s famous Medici family, a powerful banking and political dynasty who also became patrons of the arts. Maria, a daughter of the Grand Duke of Tuscany, was a lovely, highly educated young woman, who tragically died at the age of seventeen. In this portrait, painted when she was eleven and in the @uffizigalleries, her delicate youth and beauty seem to radiate out of the canvas, forever preserving this beloved young woman in time. #GucciBeauty #Uffizi— @lrsphm
Courtesy of MIBAC/Gallerie degli Uffizi

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La obras de arte difundidas en redes sociales, son comisariadas por museos, galerías y colecciones privadas de Uffizi de Florencia, el Metropolitan de Nueva York y el Museo de Bellas Artes de Reims.

 

 

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Title: Aurelia (Fazio’s Mistress), 1863
Author: Dante Gabriel Rossetti
Museum: Tate, London ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Dante Gabriel Rossetti, a British-Italian painter, poet, and translator, made this c. 1863 portrait of a woman, held by the Tate, he could only imagine, taking his subject from the 14th-century Italian poet Fazio. In a poem, Fazio described his mistress’s “clear brows” and “white easy neck.” Rossetti used his own lover, Fanny Cornforth, as a model. Their affair lasted until Rossetti’s death in 1882; she was the subject of over 60 works. Rossetti is known for his role in co-founding the nostalgic Pre-Raphaelite Brotherhood, influenced by medieval art. Their goal was to be “direct and serious and heartfelt.” #GucciBeauty — @kchayka ©Tate, London 2018

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Gucci, argumentó que el motivo de su nuevo concepto es por la belleza representa un idea de cada lugar y época.

 

 

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Title: Portrait of a Young Woman, 1485 Author: Sandro Botticelli (Alessandro di Mariano di Vanni Filipepi) Museum: Staedelsches Kunstinstitut, Frankfurt-am-Main ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Simonetta Vespucci was nicknamed “la bella Simonetta.” She was known as the most beautiful woman of her age upon her entrance into the Florentine court around 1470. She came from Genoa; “like Venus, she was born among the waves,” one poet wrote. But the great beauty died when she was 22. The Florentine painter Sandro Botticelli, a star of the early Renaissance, may have used Simonetta as inspiration for some of his famous paintings, including this idealized 1485 portrait in the collection of Stadelsches Kunstinstitut. Simonetta’s flowing red hair is her signature, leading to the possibility that she is also the model for Botticelli’s “Primavera,” among others. #GucciBeauty — @kchayka Stadelsches Kunstinstitut, Frankfurt-am-Main, Germany / Bridgeman Images

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“La belleza representa un ideal de cada lugar y época, u estilo que el artista consideró que valía la pena preservar. A veces significaba altas líneas y altos collares, como la Inglaterra isabelina, pero también puede ser una blusa simple de mujer nativa de un retrato de 1876 del pintor Felipe Santiago Gutiérrez uno de los primeros artistas mexicanos internacionales”.

 

 

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Title: Portrait of a Woman, 1890 Author: Louis Anquetin Museum: Musée des Beaux-Arts, Tournai⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ The French painter Louis Anquetin was one of many Post-Impressionist artists influenced by Japanese ukiyo-e prints. For Anquetin, this manifested in his use of bold, dark outlines filled with areas of flat, bright color; an aesthetic that can also be seen in the work of contemporaries like Gauguin and Toulouse-Lautrec. His work is held in museum collections all over the world, including the Musée des Beaux-Arts in Tournai, Belgium, where this intimate portrait from 1890 is kept. Executed more casually in pastel, here Anquetin’s line work is light and nimble. It’s easy to imagine the artist’s hand flitting quickly across the page, working to capture a fleeting moment and the coyness of his sitter’s gaze. #GucciBeauty — @tatianaberg Musée des Beaux-Arts, Tournai, Belgium / Bridgeman Images

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TFA